Please Please You & High & Lonesome presents:
The Crescent, York
Sunday 8th July, 7.30pm
Tickets are £16 in advance (more on the door) and are available from Earworm Records, the venue in person or online via See Tickets.
You don’t have to work hard to enjoy Josh Rouse’s music. His songs present themselves to you with an open heart, an innate intelligence and an absolute lack of pretension. They are clear-eyed, empathetic and penetrating. Without pandering, they seek to satisfy both your ear and your understanding. The verses draw you in with telling detail, both musical and thematic, and the choruses lift and deliver. They resolve without seeming overly tidy or pat.
Josh Rouse was born in Nebraska, and following an itinerant upbringing he eventually landed in Nashville where he recorded his debut Dressed Like Nebraska (1998). The album’s acclaim led to tours with Aimee Mann, Mark Etzel and the late Vic Chestnut. The followup – Home (2000)—yielded the song Directions which Cameron Crowe used in his film Vanilla Sky.
For his breakthrough album, 1972 (2003), which happens to be the year he was born, Rouse decided to cheer up a bit. Noting that he’d earned a reputation for melancholy, he says, with a laugh, “I figured this is my career, I might as well try to enjoy it.” While the Seventies are often identified with singer-songwriters, Rouse was primarily attracted to the warmer sound of albums back then, as well as the more communal feel of the soul music of that time. The follow up, Nashville (2005) continued the hot streak and expanded his audience further.
After relocating to Valencia, Spain with his wife Paz, Rouse has released a steady stream of high quality songs and albums. Subtitulo (2006) contained the international indie folk hit Quiet Town. On El Turista (2010) he even experimented with writing and singing some songs in Spanish. In 2014, he won a Goya Award (the Spanish equivalent of an Oscar) for best song for Do You Really Want To Be In Love, from the film La Gran Familia Española.
His most recent release, The Embers of Time, was one of his strongest—self-described as “my surreal, ex-pat, therapy record.” For more tickets and information head down to www.thecrescentyork.com