Of all the breakups in Mike Krol’s songs, the most harrowing story is about his breakup with music.
In 2015, coming off of his best record yet and the ensuing world tour, Krol found himself in the midst of a full-blown existential crisis. He’d invested everything to create the rock-and-roll life he’d always wanted, but he wasn’t sure the life wanted him back.
Power Chords, Krol’s new Merge release, picks up where 2015’s Turkey left off. It traces Krol’s journey back to punk rock, harnessing both the guitar technique and the musical redemption referenced in its title. To rediscover the power in those chords, Krol recorded for two-plus years in three separate locations (Nashville, Los Angeles, and Krol’s native Wisconsin). The record opens in a howling maelstrom of feedback: welcome to Krol’s crucible.
Of course, none of this is to say that Krol has mellowed. You might find a mea culpa or two, but Mike Krol will never be chastened. If anything, he’s out more for revenge than forgiveness, and if he’s grown, it’s because he’s grown bolder. He’s wielding the same influences—Misfits, The Strokes, early Weezer, Ramones—but turning up the gravity and the gain. Indeed, Krol has gone somewhere new; yes, he bludgeoned himself with over-analysis and self-loathing, but along the way he stumbled upon a trove of intricate guitar lines and artfully mutating melodies. It’s there in the chorus of Blue and Pink, the bridge in I Wonder, the entirety of the deliriously infectious first single, An Ambulance.
Music ruined Krol’s life. And then saved it. In chronicling that process, Krol has made his best record—painful, voyeuristic, and angry, but ultimately transcendent and timeless. It is the sound of Krol giving in to a force greater than himself, as though the chords are playing him rather than the other way around.
He will play at the Brudenell Social Club in Leeds on April 22nd.