I wasn’t at last years Slam Dunk Festival, but according to the security guard I was chatting to, it got so wet and muddy that some people gave up wearing their saturated shoes. What a contrast it is this year, with the heatwave setting the day up for a glorious summer party out at Temple Newsam Park.
I was expecting it to be a smaller relative of Download Festival and I wasn’t disappointed. But more than that, Slam Dunk had its own personality.
Review and Photos by Stuart Duthie
Slam Dunk is an inclusive festival and I always feel that these types of events result in. There’s usually a pleasant crowd and you feel that everyone is there to relax, have fun and accept people for who they are. To the uninitiated, it would seem at odds to a type of music that can seem like quite an aggressive art form.
I wanted to see as much as possible (that’s me all round), so I hit the festival hard, managing to photograph around 24 bands – 20 of which I saw play at least their first 3 songs. This is one of the benefits of a more compact day-festival, due to the sheer number of acts you can sample. But it’s also a credit to the organisers that they can switch over so quickly from band to band and keep things pretty much on schedule throughout the day.















The site started filling up from the off, so even the first bands were well attended, particularly the ones that had a bit of buzz about them. Dead Pony (who were on at 12:15) more than filled the Key Club tent and put on a fantastic performance.
By the time the afternoon arrived, the sun was shining fully on the Monster and main stages and I was wondering whether the couple in banana outfits in the mosh pit were regretting their attire by this point. By this point, exposed skin was starting to turn very pink in the way it often does when the sun comes out in the UK.
As the afternoon drew on, I had seen many great bands. Dying Wish, Hands Like Houses, Cartel, The Home Team and Boston Manor (although their set was sadly paused due to a medical emergency). Some I knew, some were new to me – which the lovely thing about a festival.
Yet to release an album, President came on at 6:15 to a more than up for it crowd. Part way through the set ‘The President’ himself could be seen draining the sweat from his mask at the back of the stage to cries of “you can take it off Charlie, we know it’s you.” President is one of these masked bands, close to Sleep Token both stylistically and musically. Although officially anonymous, there are plenty of clues which suggest it’s Charlie from Busted fronting the band.
It was great to see a good showing from Yorkshire too. Malevolence hail from Sheffield, but described Leeds as their second home, listing the venues there (many that have sadly since closed) that they have played. Static Dress (who I saw), Pest Control and Beauty School are all local to Leeds. And of course Slam Dunk itself is based in Leeds (irrespective of the fact they have a southern twin festival). Malevolence, clearly enjoying being there, challenged the audience to make the biggest circle pit that Slam Dunk had ever seen… and declared it the successful record holder.




















Taking Back Sunday and Sublime, both on the main stage, were the perfect accompaniment to the lengthening evening shadows. For Taking Back Sunday it was a dual anniversary celebration – also 20 years since Louder Now, which spawned their big breakthrough single MakeDamnSure. They treated us to a full album run through, to the crowd’s delight.
Sublime couldn’t have wished for better conditions when they played. The warm golden evening sun and the ska drenched tunes mixed to create the perfect evening cocktail! As the hot sun dipped below the horizon, it was time to bring out the pyrotechnics. Actually that’s not true – Bury Tomorrow just couldn’t wait to get started, and they were on before Sublime!
But as the light was fading, Knocked Loose and Good Charlotte took to the main stages. While Good Charlotte fired up the crowd with the infectious Girls and Boys, Bryan Garris of Knocked Loose was making the most of the atmospherics on Main Stage East. There was something about that lighting, his posturing, the huge glowing crucifix and all that is going on in the USA that was a powerful and unsettling blend for me. I know they are not ‘Christian Nationalists’ or whatever the term is, but there was definitely something happening in that imagery that was unsettling, pointing towards what seems to be unfurling in the USA.
I would HAVE loved to have seen both bands and there had been a degree of online angst about the scheduling before the festival started. In reality, it’s a real testament to the quality of the music that Slam Dunk gave us that day. That, and the glorious weather, made for a memorable event for all the right reasons.





























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