Film Review: A (Necessary) Deeper Look Beneath the Gloss of Michael (2026)
Why do music films so often miss the mark?
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Why do music films so often miss the mark?
Continue reading “Film Review: A (Necessary) Deeper Look Beneath the Gloss of Michael (2026)”
Bohemian Rhapsody and Rocketman might have been warm ups for a more compelling tale. Elvis, Baz Luhrmann’s much-heralded biopic of The King, Elvis Presley, does not disappoint. This takes a remarkable story of rags-to-riches, excess and personal tragedy and makes the most of its cinematic opportunities.
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Sofia Dragt is a Utrecht, Netherlands-based artist we discovered on the blog through her tracks Islands and Temporary Gold. The latter features on her new album, ISA, a collection of songs inspired by and created in Ísafjördur, Iceland where Sofia lived as artist in residence.
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A few years ago, I visited Liverpool for work, and stayed for a couple of days. I booked a hotel and, visited many of the sites associated with The Beatles: The Cavern club (not the original, but it’s close), Strawberry Field, Penny Lane, and the house where John Lennon grew up with his Aunt Mimi. It was so moving going to these old haunts, because the band are often presented in a mythical or (and I’m not keen on the word) ‘legendary’ light. I felt the same way as I watched the film of The Beatles concert on the roof of the Apple building. It was all so, well, real: there’s Ringo, wearing the red shiny coat that belonged to his wife, because it was such a cold day. There’s the pinstripe on Paul’s shirt. The cars are late ‘60s cars. Men in the street wear bowler hats.
Continue reading “Film Review: Beatles: Get Back – The Rooftop Concert”
Lost Children is the new avant garde album from Los Angeles, USA-based neoclassical composer Gillian Rae Perry.
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