Inspired by Theatre’s Jesus Christ Superstar was an exciting demonstration of quality local theatre.

By Katie Stewart

Photos by Mia Scudds

The entire cast handled the vocally demanding show with elegance throughout, giving professionals a run for their money. Kelly Ann Bolland as Judas leaned into the electric rock genre with powerful, demanding, unfaltering vocals, fully letting herself loose into the role, getting progressively more unhinged and tar-covered (literally) as the show went on. Her voice was commanding and raw, reminiscent of Broadway’s Sara Ramirez.

Iain Harvey as Jesus brought the same rock‑influenced sound, handling Lloyd‑Webber’s complex musical timings, and restless scales with confidence. Difficult and intricate lyrics and storytelling were memorised and delivered with professionalism and poise. It was clear that every performer had put in a huge amount of work.

A standout performance came from Rianna Pierce as Mary. Her vocals were bright, sweet, and crystal‑clear. Every time she came on stage, I found myself eagerly awaiting her singing voice, which colourfully cut through the alluring darkness of the show. Her performance was particularly endearing during the frequently reprised Everything’s Alright, which she delivered with warmth, sincerity, and heart.

Gi Vasey delivered an impressive acting performance as Annas, with minute, nuanced facial expressions that were delightfully wicked and evocative; she truly immersed herself into the character, with both vividity and subtlety.

Josh Woodgate as Pilate had beautiful diction and expressed turmoil and moral ambiguity with a calm, captivating ease, while Richard Bayton as Peter boasted strong, steady vocals.

The orchestra performed well throughout, especially in Act II. The drums and percussion were killer tight – funky, intricate, and captivating during the final crucifixion scene, where teasing paradiddles created tension, groove, and an irresistibly unnerving energy.

The chorus also worked well together, particularly during Hosanna, harmonising with purpose, offering that classic musical‑theatre sound, guiding the narrative forward. It was clear the cast worked well together behind the scenes; everything felt very well-rehearsed, artistically aligned, and seamless.

Similarly, the choreography was ambitious and relentless throughout; combined with simple, effective staging techniques and brilliant, tone-defining lighting from start to finish, the show was visually striking.

Overall, this was a dazzling production by passionate artists, brought together by a distinct directorial vision and thoughtful creative collaboration. York should be proud of the talent it has on offer.

Jesus Christ Superstar was performed at Joseph Rowntree Theatre, York on Friday 13 February 2026.