I recently shared one of WRENÉ’s tracks on these pages, titled SHAME. I really enjoyed the song and felt it had a cool yet quirky vibe, sounding unlike anything else I’ve ever heard before. If you like your music a little different to the norm, this is for you!
By Jane Howkins
You recently released an new track titled SHAME, which we reviewed. What can you tell us about the song?
Shame is an avant-garde electro song about the difficulties of connecting with one another in a dysphoric technological era. It is a twisted take on a love song, where the sweet sentiment of affection becomes swallowed up by an overwhelming schema of self-doubt and shame, as represented by the abrasive twisting sound design.
How has the reception been so far to SHAME been so far, and where can it be purchased?
From what I’ve gathered, many people who listen are delighted by the unexpected heaviness and unconventional structure of the track.
Your music is quite poppy but it has a unique sound. What/who influences you most as an artist? What have you been listening to recently?
A few of my favourite artists and producers who inspire my sound are Arca, Sophie, Aphex Twin and Skrillex!
Where are you based? What is the music scene like there at the moment?
We are based in Toronto, Canada! Our music scene is a melting pot of many different styles – there is an interesting underground culture for hip-hop and R&B, as well as heavier rock and metal influences. As for the electronic scene, raving is very popular.
Did the pandemic hinder you much?
The pandemic was extremely isolating and difficult to navigate, especially relating to anything live, however it did provide a lot of time and space to hone many aspects of music production. I would never want to return to this time, however there was definitely a silver lining as it was an opportunity to reflect and experiment creatively.
What is the writing and recording process like for you?
For this song in particular, the production was inspired by both the initial lyrics and vocal recordings, which is what you hear in the master. Interestingly, the vocals were recorded by ENJYNG at the crack of dawn during an acid induced adventure, and then sent to me unexpectedly. I listened to what he was saying in the recordings, and wanted to honour and visualize the story he was telling through the production.
Do you have any tour dates lined up for the UK?
Not for the UK at this time, but I would love to go eventually!
Any last words for the fans?
If there is anyone reading this who is struggling with a love gone unexpressed or unreciprocated, or is experiencing grief and loss – there are always creative avenues to channel yourself into. I still don’t have the answers on my own journey, but maybe this song can validate something within somebody else.