Twenty years ago, Cheltenham-based artist Blake released his bedroom-recorded album Solomon’s Tump, named for a tiny hamlet in the Forest of Dean. To celebrate its 20th anniversary, he’s given the album a remaster and is planning a CD release via Subjangle. So, has the collection stood the test of time?

By Graeme Smith

Feature photo by Bernard Blake

Looking back, it’s astonishing to think how much the world has changed over the past twenty years, and Blake has made the most out of those advancements with this remaster. The original was recorded on a Tascam four track machine in his bedsit. The remaster uses AI technology.

Solomon’s Tump is an autobiographical account of his life at the time, providing an insight into its minutiae and his thoughts. The album opens with its title track. It’s an upbeat start, full of jangly rock that sits somewhere between retro and modern. You get a sense of ’60s freakout in the dedication to its place of inspiration, and it’s a welcoming opening gambit.

Beat Myself Up keeps things lively while going introspective with its lyrics. Round and Round is about the concept of time passing through the changing of seasons and is wonderfully intimate. She Flew Away explores a breakup, fresh at the time of the original recording, through vibrant indie rock and storytelling lyrics. It’s a highlight.

Don’t Let Go is gentle, philosophical, and dwells on the concept of faith. Bernard’s Theme is a cantering instrumental interlude. Humankind turns its focus outward, reflecting on humanity’s folly and tendency for violence. Its visceral punk sentiments make it another highlight.

Beautiful Person is delicate and dreamy. Lost The Plot races along and tells the story of artist who have sold out. Slipping Away returns us to heartbreak. A brooding, timeless arrangement and heartfelt, questioning lyrics make it a highlight.

Let It Go is groovy and cathartic. Throwing My Life Away takes us through the daily grind with a sense of wistfulness. Silver Sun transports us to a psychedelic world with wonderfully surreal lyrics and a huge guitar solo. Leave A Light On closes the album with an acoustic, optimistic moment.

So, does Solomon’s Tump hold up after twenty years? Put simply: more than ever.

Solomon’s Tump features Bernard Blake on vocals, guitars, bass, drums, keyboards and percussion. It was recorded in his bedroom and at Lansdown Studios, Cheltenham, and produced by Blake. The remastering was done by Mike Hill at Attic Studios. The album is set for release on 31 December and is available for pre-order now.