The Black Holes Philosophy is the musical project of Italy’s Luca De Lellis. Combining his love of physics and philosophy, he’s just released his debut, self-titled album.

By Graeme Smith

Musically, The Black Holes Philosophy gives us a refreshing mix of vibrant pop, indie rock and something a little more undefinable, yet it’s in its lyrics where Luca’s album really shines. They speak of abandonment, loss and the inability to communicate across the collection’s eleven tracks.

The album opens with the rousing and pleading Handbook for Troublemakers. Defiance and rebellion meets a certain weariness in its story, which are beautifully emoted by Luca’s passionate vocals. A jangly and anthemic chorus proves to be an early highlight, and a surprise organ solo contains traces of The Doors at their finest.

Candy has a kind of ’70s Supertramp swagger swirling sweetly among its ’90s Britpop and modern pop-rock sentiments. Superhero softens things slightly with a gentle, introspective moment that’s rich with lyrical poetry. It’s another highlight.

Other highlights include the funky, electronic disco groove of Let Me Go Home, the vibrant, cosmic psychedelia of We Pulse, the jaunty cynical duet of Nothing Has Changed, the scratchy, soulful alternative pop of Cake, My Dear?, and expansive, bittersweet album closer The Shiny Dance.

With his debut album, Luca has set himself out as a true innovator. His ability to command different genres while making his album feel coherent is impressive, and the powerful poetry in his lyrics means it’s an album that demands multiple relistens. This album has to go down as a contender for album of the year for me.

The Black Holes Philosophy was self-produced by Luca who also played all the instruments. It’s out now and you can check it out below.