In 2024, I named Eric Schroeder‘s Turned on the Stereo among my albums of the year. So, how does its follow-up, Cat’s Game, hold up in comparison?
By Graeme Smith
The San Diego, USA-based songwriter and multi-instrumentalist’s previous album impressed with its cynicism and humour, and Eric’s drawling delivery and dark imagery. None of that is lost in Cat’s Game. In fact, he takes it all to the next level.
Opening with the folksy rock of High and Low we are struck by the emotion of the record straight away. Eric seems to have shaken off a lot of what was holding him back on his previous album, making Cat’s Game an even more impressive effort, and a must-listen for those who love their rock with a raw edge.
Emily is a raucous, anthemic early highlight. As is As I Sit Here In My Car which trades energetic instrumental interludes for hazy verses. I’ve Got Problems canters along pleasingly with a memorable riff. My Big Brother has a big, psychedelic finish. The Road To Recovery closes the album with a sense of cautious optimism.
It’s shaping up to be a strong year for albums. Yesterday, I named Alina Orlova’s Nakties Atvirukai as an album of the year contender and now I have no choice but to include Eric Schroeder’s new album too. They’re both such strong records for very different reasons.
Featuring alongside Eric on Cat’s Game are Matt Scheussler on bass, Jake Richter on drums, and Aidan Finn on keys. The album is out now and you can give it a listen below.
